Typically, I'm over apocalyptic horror. While favorites such as 28 Days Later along with the initial episodes from The Walking Dead were gripping, the genre seems largely depleted at this point. Yet the highly anticipated 28 Years Later has been gathering dust in my watchlist for some time. However, the platform's new Southeast Asian horror film, The Elixir, succeeded in subvert my expectations and proved quite enjoyable.
Excellent Rhythm and Personal Growth
Among the film's strongest strengths lies in the superb rhythm. It begins using a striking initial scene in which a peaceful family gathering is violently interrupted when a van crashes right into the seating section. From the wreckage, a very zombie-like stranger emerges and begins attacking the partygoers. This dramatic scene is immediately succeeded by a flashback, allowing us to observe this household prior to the tragedy occurred.
Unlike many zombie films, The Elixir truly gives viewers sufficient time to become acquainted with its main characters prior to the carnage begins. There's Nes, a wife and mother with a ex best friend, Karina, has become wed to her dad—an obviously uncomfortable dynamic. This has understandably caused a rift between Nes and Karina. Then there's her sibling, Bang, who is kind-hearted but a bit inept socially, and who enjoys gaming alongside Nes' young son, Raihan. Her spouse, Rudi, seems to have recently cheated on Nes. This household patriarch consists of Nes' father, who runs a well-known herbal remedy company called Wani Waras, and he seems to care about only two things: his work and his marriage to Nes' ex-best friend. Unsurprisingly, this family reunion proves extremely strained.
Invested in the Drama
I found myself so engrossed in the household's issues and their personal conflicts to the point I nearly overlooked this was a horror film—which might seem like a negative, but in the end paid off. The Elixir spends a significant portion of the film depicting viewers who each family member is, and how they contribute to the general turmoil. This emphasis on clashing personalities allowed the audience to connect to the personalities enough to be concerned for their outcome—a rare feat in a genre that often presents characters just to kill them off shortly afterwards. The Elixir doesn't treat its characters as flat, disposable victims for an army of zombies to devour, so it's a genuine surprise when things finally deteriorate.
Reminiscent of Parasite
The initial scenes from the gathering and various family interactions actually evoke the movie Parasite, a story which disguises itself as a Korean drama featuring slightly dark comedy before taking an abrupt turn into "holy shit" territory. These introductory scenes aren't centered as much on humor compared to Parasite, yet The Elixir still provides enough opportunity to settle into the setting before it gets upended.
Original Infection Origin
The film additionally presents a fairly interesting explanation regarding the origin of the spreading transformation. Rather than a unintended laboratory incident or some sort of bioweapon, the source of this infectious condition originates in a recent sample from Wani Waras herbal remedies created by Nes' father. Although we do learn something regarding its origins, it would have been better if the film had spent a little more focus on how Wani Waras transitioned from a reputable purveyor of holistic medicine to creating a deadly elixir that appears to include a highly contagious virus. Despite the lack of background, the effect this affliction produces on humans proves utterly repulsive, which I appreciate. The Elixir's zombies are quick, freaky-looking, and, maybe most disturbingly, always smiling. This is a bold decision, but it works. The Elixir's physical effects and computer graphics also appear quite convincing, and they're practically guaranteed to trigger a fear of holes.
Resourceful Personalities
More impressive compared to the disgusting moments is the cast themselves. Of course, we see a few examples of dubious choices (like any typical undead film), but for the most part, Nes and her relatives show themselves inventive and quick-thinking. They also aren't afraid to strike an undead in the face, stab it with a pitchfork, or hit it over the head with whatever blunt instrument is available instead of standing still like prey caught in lights while danger approaches.
Believable Family Strike
The Elixir doesn't abandon its focus of familial discord when people start turning into zombies, this proved a welcome authentic subversion from the "We don't get along|"We have issues, but you almost died so I instantly forgive you for all your mistakes!" cliché often seen in end-of-world films. Obviously, Nes cares for her relatives and values her spouse, Rudi, but it's also apparent she's still holding onto bitterness regarding his infidelity in their relationship. Once the household becomes split up, they decide via telephone to meet up at a nearby location. However, once Bang reveals he is unaware how to get there, Nes unleashes an immense amount of frustration on her brother that's clearly been building over time. Nes is not perfect, and her family—flawed as it is—seem realistic and relatable since the movie doesn't try to push the idea that a near-death experience instantly cures family tensions. This causes those instances where these individuals do show appreciation for each other feel much more sincere.
Predictable Conclusion
Despite The Elixir's best attempts to break new ground, the ending is admittedly a bit formulaic. The Elixir doesn't truly presenting any deep insight about family or community, as well. Rather, it's mostly serving up scares. But they're successful frights, and since the film allows every personality sufficient space to grow and doesn't punish them for their imperfections, the result is a captivating and enjoyable
